Girmitya HerStories
2024 | Porcelain ceramic substrate, stainless steel rings, ceramic decals, silver leaf, found object, photography on aluminum
Girmitya HerStories brings to light the little-known histories of Indo-indentureship from 1838 to 1917, when 1.5 million Indians were signed into servitude to work the sugar plantations in the British Colonies. Half a million landed on the shores of Trinidad, Guyana, Surinam and Jamaica. They replaced/displaced the slaves after emancipation. The artist photographed ten Indo-Caribbean Canadian women from diverse backgrounds, each holding a portrait of a female ancestor. The portraits have corresponding video shorts that locate each woman in the double diaspora -- from India to the Caribbean, to Canada – and tells something of the story of their ancestor. The ceramic piece weaves together portraits of these same women with archival family photographs fired onto industrial porcelain tiles to create a ceramic tapestry. The piece is installed on a piece of period furniture. Images of the kala paani, ‘black waters' are to integrate visual rhythm, and to signal the hardship of the ancestors’ voyage during their migration to a new land.
Download the free app Artivive to view video HerStories directly from each portrait.
HEIDI MCKENZIE is a ceramic artist based in Toronto, Canada. Heidi is informed by her mixed-race Indo-Trinidadian/Irish-American heritage. Heidi uses photography, digital media, and archive to forefront themes of ancestry, race, migration. Heidi has exhibited internationally in Europe, Scandinavia and the US. The recipient of numerous grants, Heidi has been created in Ireland, Denmark, Hungary, Australia, China, Indonesia and India. Heidi curated ‘Decolonizing Clay’ at the Australian Ceramics Triennale, 2019, participated in the World Indian Diaspora Congress in Trinidad, 2020, and the Celebrating Girmityas International Conference, May 2023. Heidi was inducted into the International Academy of Ceramics in 2022.